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Colombian writer’s new work brings home country closer to Chinese audience_我的网站

一 |     

    Santiago Gamboa, writer and minister counselor of the Embassy of Colombia in China, (left) and Héctor Abad Faciolince, a Colombian novelist, writer and journalist at a sharing session at the Embassy of the Republic of Colombia in China on August 18, 2026. Photo: Dong Feng/GT 
The Embassy of the Republic of Colombia in China hosted a colloquium with Héctor Abad Faciolince, a Colombian novelist, writer and journalist. The writer shared on Tuesday his growth journey from a journalist to achieve his dream as a writer, his observation of the Colombian society and his impression about the changes in China. 
In a fully packed hall, Minister Plenipotentiary Jose Fernando Bermúdez Cendales said in his opening remarks that the event is part of an initiative to bring Colombian culture closer to the Chinese public while simultaneously creating new spaces for dialogue and exchange between the two countries.
Bermúdez said that Abad's visit to China offers a particularly valuable opportunity to showcase the richness of our literature and to strengthen the cultural and human bridges connecting Colombia and China.
The session, chaired by Santiago Gamboa, writer and minister counselor of the Colombian Embassy, focused on the career and body of work of Abad and in particular, El olvido que seremos (Oblivion: A Memoir).

Abad's book is a seminal work of contemporary Colombian literature in which personal and family memory engage deeply with Colombia's recent history. Its translation into Chinese allows this story to reach new readers and represents an extraordinary opportunity to bring both societies closer together through literature, per some commentators. 
"We hope this gathering will be an open conversation among cultures, readers, and experiences, and a new expression of the friendship that Colombia and China continue to build," said Bermúdez. 
Abad, one of the most important voices in contemporary Latin American literature, shared with the Global Times that this is his second trip in China. The last time he visited the country was two decades ago. 
This time, in his eyes, China has changed a lot. In many ways, the country stands for the future of the world. 
Abad said he is surprised to see how much Chinese people are depending on the electric devices and network to communicate in a virtual world, and said that he felt "like an alien."
Talking about his interaction with readers in Shanghai, Abad smiled, saying that the readers selected some phrases from his book and asked him to write down as part of the autography and signature for them. 
In his book, El Olvido Que Seremos (The Oblivion We Will Be), which is acclaimed as a "love letter from a son to his father," is not only a deeply affectionate look back at familial bonds but also a courageous attempt to defy oblivion. 
Rooted in true events, The Oblivion We Will Be chronicles the life of his own father. Abad noted that his father was killed in August 1987 - nearly forty years ago.
In the Western literary tradition, a father is often portrayed as a distant or even negative figure. His father, however, was "totally different - a man of love and deep sense of responsibility in both the public sphere and his family life."
Such image of a benevolent, non-authoritarian father has impressed his Chinese readers as well, he said. 
As a physician, Abad's father dedicated his life to addressing fundamental issues affecting people's well-being, such as drinking water quality and public health, steadfast in the belief that the world could be made better through action.
Abad's work addresses themes such as memory, violence, inequality, and the human condition, deeply marked by the murder of his father, an event that inspired his most iconic book, The Oblivion We Will Be was published in Chinese by Writer's Publishing House in Beijing in July.
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二 |     11月21日，“北方韵瓷”——辽宁省第二届中青年陶瓷艺术家作品抚顺大官窑邀请展在辽宁美术馆拉开帷幕，此次展出的150多件艺术家作品和大官窑精品陶瓷，出自48位中青年陶瓷艺术家之手，进一步展现了辽宁陶瓷文化的传承与发展。

三 |          　　抚顺大官窑始于辽，兴于金，盛于明清，毁于日本侵华战火。2018年大官窑陶瓷被列为抚顺市非物质文化遗产项目。2020年抚顺大官窑陶瓷文创园建成，开启了大官窑陶瓷产业化发展新的篇章。         　　展会现场，引来众多陶瓷文化的爱好者，在王永亮创作的“故宫系列”，蔡福全创作的“小怪涂鸦系列”，张桂昉创作的“鱼系列”，任嘉博创作的“冰凌花、天女木兰”等精品陶瓷前，观众们纷纷拿起手机拍照。         　　“冰凌花、天女木兰系列陶瓷在网上展出后，吸引了大量粉丝，成为网红产品。”抚顺大官窑陶瓷制作技艺代表性传承人王永亮告诉记者：“抚顺大官窑是我国北方陶瓷发展史上的名窑，在《中国陶瓷史》中就有对大官窑的记载，其烧制的大官窑陶瓷釉色闪耀金属光泽，是北方结晶釉陶瓷的典型代表。”          　　据了解，王永亮在家族陶瓷工艺传承的基础上，通过实地考察，研读历史资料，走访民间陶瓷艺人，系统化整理出抚顺大官窑陶瓷原料采挖加工、成型制作、风格设计、烧成技术等全套工艺流程，有着800多年历史的抚顺大官窑陶瓷再次展现出夺目的光辉。         　　“抚顺拥有丰富的高品质高岭土，是发展陶瓷产业的宝贵资源。”王永亮说。

四 | 作为沈阳工学院创新创业学院陶瓷专业的负责人，王永亮将大官窑陶瓷制作技艺带进大学课堂，为大官窑陶瓷的传承培养了一批学子。目前，王永亮领衔的创作团队已获得十余项国际国内奖项，他们烧制的“大官窑雪山杯”被选为第三十一届世界大学生运动会“大运好礼”，还有更多的陶瓷文创产品在辽宁省博物馆销售。         　　毕业于鲁迅美术学院陶艺专业、阜新市工艺美术大师王阳带来的花语梅香系列作品，清新淡雅，由她打造的“黛熹”品牌，深受国内外女性的欢迎。         　　据介绍，此次展会到11月28日结束。                    责任编辑：李丹。

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